Andrew is on sabbatical but Phil is soldiering on to help you decide between the Merlot and the Marlowe and generally putting London's West End theatre to rights
| Richard Jordan: Bewa… on Review – Love Never Dies… | |
 | Gary Morgan on Review – The Hothouse, T… |
 | johnnyfoxlondon on Review – Annie Get Your… |
 | Mrs Klein by Nichola… on Review – Mrs Klein, Alme… |
 | Sal on Review – The Girls, Phoe… |
 | Phil (a west end whi… on Review – The Girls, Phoe… |
 | falldownstandup on Review – The Girls, Phoe… |
 | Billy on Review – Madame Rubinste… |
 | John on Review – An American in… |
 | Greg Kitchin on Review – The Ferryman, R… |
 | Jovial Moon on Review – Twelfth Night,… |
 | Eileen Bolton on Review – Angels In Ameri… |
| Sal on Review – Angels In Ameri… |
| Phil (a west end whi… on Review – 42nd Street, Th… |
| Billy on Review – 42nd Street, Th… |
|
From Hugo Rifkind’s People section in yesterday’s The Times:
When you’re responsible for your country’s flagship theatre, aren’t you supposed to convince the public to swing by occasionally? Not, apparently, when you are Nicholas Hytner, director of the National Theatre on the South Bank in London. “I would seriously like to feel that somebody would deliver me a play that will really get up your noses,” he told an audience at the Soho Theatre last week.
Saturday 17 November 2007 at 8:52 pm
…in which Hugo Rifkind demonstrates his misunderstanding of the fact that to annoy someone is not the same as to repel or alienate them. Understandable, I suppose, given the amount of time his father spent in government doing all three.