Review – Ink, Almeida Theatre

It’s not everyday you see Christopher Timothy portrayed on stage. Or Larry Lamb come to that.

Though whilst the latter is actually the first editor of The Sun newspaper (as we know it) Mr Timothy’s connection will be remembered by those of us old enough to remember him as the voice of their TV ads.

Ink is James (This House, The Vote) Graham‘s latest foray into the world of what we call recent history. The creation of The Sun newspaper as a tabloid.

Review – Damned by Despair, National Theatre

Dear Heavenly Father,

Forgive us our many sins. Forgive us for trespassing on previews and speaking ill of them. Forgive us for drinking too much holy wine. And forgive us for giving into temptation by departing at intervals.

And forgive us for our fundamentalism, believing that if we truly seek forgiveness it may be granted whatever our sins, for surely this is the message of Damned by Despair.

Forgive those who delivered that message: Roman Catholic monk Tirso de Molina who wrote it, Frank McGuinness who gave us his new version and director Bijan Sheibani.

The 2011 Whingie Awards – the very worst and the not so bad

Yes, the Whingers’ much coveted trophies are lined up to be divvied out again.

Artistic excellence? Possibly. Realistically most of of our glittering awards would go north of the border after our uncharacteristically enthusiastic response to the Edinburgh Fringe Festival, an unusual period where we packed in so much entertainment we feared we were turning into Mark Shenton.

But after momentary deliberation and decidedly tepid debate we have eventually settled on some worthy winners.

Review – Matilda, Cambridge Theatre

Well you don’t have to be Mystic Meg (whatever happened to her?*) to predict the Olivier Award winners at next year’s ceremony.

We’ve dusted off our crystal balls and see the Best Performance in a Supporting Role in a Musical Award forcing either Nigel Harman (Shrek) or Sharon D Clarke (Ghost) to clear a space on the mantlepiece for the trophy.

Now we’re adjusting our bespoke turbans to say the Best Actor in a Musical award is in the bag: one Bertie Carvel for his Miss Trunchbull. Likewise the Best Musical Award, which should go the way of The Evening Standard Awards earlier this week. And who knows, the final musical category could well be filled by the young gals who take the titular role in Matilda The Musical.

Review – Rope, Almeida Theatre

Picture it. Two handsome young men – one urbane, the other highly-strung – commit an unspeakable act as a supposedly intellectual exercise, then contrive to shamelessly flaunt their terrible undertaking before an unwitting audience.

But that’s quite enough about the Whingers.