Review – Nell Gwynn, Apollo Theatre

Still playing a bit of theatrical catch up here with those shows that might appear to tickle our peculiar fancies.

So it seemed Jessica Swale‘s Nell Gwynn a broad, camp, comedic, backstage-with-royal-patronage tale of big frocks and massive millinery, a bit of cross-dressing and based on historical fact looked as if it might tickle and tick all our boxes. And it might have ticked big time if that other broad, camp, comedic, backstage-with-royal-patronage tale of big frocks and massive millinery, a bit of cross-dressing and based on historical fact, Mr Foote’s Other Leg hadn’t got to us first.

Review – When We Are Married, Garrick Theatre

You know you’re in good hands when the curtain rises and the set gets a round of applause.*

Simon Higlett‘s well-dressed Victorian sitting room drew gasps of admiration from the crowd, possibly because it brought back distant memories although presumably not from the Eastern Europeans or possibly Russians behind the Whingers with sweets wrapped in old Eastern Bloc cellophane which had been designed to be LOUDER when crinkled than the sad cellophane of the decadent West . WE WILL BURY YOU IN OUR CELLOPHANE.

But we digress. Having grappled with the Glaswegian accents in Men Should Weep last week it was comforting for the Whingers to head in a southerly direction and have their ears caressed by Yorkshire tongues. Phil’s mother was born in York (Nunnery Lane, since you asked) and he was oop there only a few weeks ago so it almost felt like home to him, only without old underpants strewn everywhere.

Review – Alphabetical Order by Michael Frayn, Hampstead Theatre

Feet were fast becoming a running theme for the Whingers as they staggered to the Hampstead Theatre on Monday evening.

Phil was staggering because he was still recovering from Saturday’s Third Annual West End Whingers party.

Andrew’s gait, meanwhile, was even less gainly than usual having come hot foot cold foot from a rather nasty experience at the podiatrist – something about Andrew being cryogenically frozen, but as usual Phil wasn’t really listening.

Having suffered such adverse reactions to Michael Frayn‘s Afterlife last year the main reason the Whingers had booked to see this revival of his 1975 hit Alphabetical Order was because Annette Badland was in the cast.

But just days before opening poor Ms Badland was forced to pull out having broken her foot apparently falling off a ladder (see the theme developing?) in her garden.

Review – Enjoy, Gielgud Theatre

It has taken rather a long time for the Whingers to make their way round to the Gielgud Theatre to take in Enjoy.

Which is odd, really, when you think about it: the combination of a play by national treasure Alan Bennett with Alison Steadman and the son of a Doctor Who (David Troughton) leading the cast would seem to be irresistible fodder to the average Whinger.

What took them so long? Was it the subject matter? Would watching an ageing partnership (one slipping into senility, the other infirm) prove uncomfortable viewing? Did Andrew sense that it might be depressing rather than entertaining to witness a possible future tending to Phil’s needs by massaging immobile limbs and reminding him when to pee.