Andrew is on sabbatical but Phil is soldiering on to help you decide between the Merlot and the Marlowe and generally putting London's West End theatre to rights
In which the National explores the nature of the BOGOF offer.
Though in this instance it is a case of Buy Olivia Get Olivia Free. The Olivias Colman and Williams to be precise.
They star as sisters Alice and Jenny. O1 Williams is a scientist working in Switzerland on the launch of the Large Hadron Collider, O2 Colman is the less academically-gifted, more emotional (or “stupid” as she’s often referred to) sis residing in Luton. Read the rest of this entry »
A bit late getting around to this. But since it’s probably your first day back at work, let’s face it you’re not really intending to do any real work are you? Isn’t that why you’re here?
Anyhoo, a year ago we speculated that 2013 might be an unlucky year for some.
The unfortunate roof collapse at the Apollo Theatre proved this both true and untrue. Unlucky for anyone involved, but lucky in the sense that it could easily have been so much worse.
When Phil discussed the incident with his sister they realised they’d been to the Apollo together only once, ironically to the musical Up On the Roof.
But, as Phil watched events unfold on BBC News that night, there was a rather flattering moment for London Theatre audiences. Returning to the studio, after watching people describe what they’d seen inside the Apollo, the news anchor remarked that he’d never heard such articulate eyewitness reports before.
Unlucky for theatre critics too as they were picked off one by one. Who wasn’t reminded of the Vincent Price film Theatre of Blood? It seemed newspapers either didn’t want arts critics any more, or didn’t want the one they already had. And in one case, apparently found the spurious excuse of pants-dropping for dropping their scribe.
But it seems the critics are finding other outlets. The Telegraph’s Tim Walker is expanding on his appearance in Top Hat to play God in Spamalot. How long before we get to see Libby Purves’ Grizabella the glamour theatreCat, Mark Shenton disrobing in Hair or theatregoers saying “Hello” to Tim Walker’s Dolly! ?
It was also the year Andrew decided he didn’t want to write for the Whingers anymore. For the record, he went of his own accord, quashing the scurrilous rumours that Phil staged a coup after finding a rather inappropriate image of Andrew in his jim jams on the internet.
So without further ado, here are Phil’s choices for the year, just so he can use the word ‘actress’ again and not group everyone together as ‘actors’… Read the rest of this entry »
Accident or design?
The words “ABANDON HOPE ALL YE WHO ENTER HERE” are projected across the three sides of Es Devlin’s stylish box set for American Psycho with the words “ABANDON WHO” appearing alone together on one of the sections.
Phil assumed it was a subtle joke referencing Matt Smith leaving behind his Doctor Who persona and returning to theatre. Read the rest of this entry »
Phil once stood in Tiananmen Square, not facing a tank obvs, but facing the body of Chairman Mao (or what’s said to be his body) in the Mao Mausoleum. He also played frisbee there (in the square that is, not the mausoleum, although it was certainly vast enough in to have flicked a bit of plastic around in front of the waxy-looking ‘body’).
7 years later the tanks that rolled in were stopped by an unknown man standing in front of them. He was captured on film in what was to become one of the most iconic images of the last century.
The gushing raves for Lucy Kirkwood‘s Chimerica (a co-production with Headlong) have ensured a sell-out at the Almeida (where it’s now in its last week), hardly surprising canny Sonia Friedman snapped it up for the West End where it’ll be at the Harold Pinter Theatre from August 6th.
Could this be the same Kirkwood who delivered the Whinger-unapproved Tinderbox 5 years ago when apparently she was already a year into writing this play? Read the rest of this entry »
You wouldn’t, of course. But in the unlikely chance you should ever pause to wonder how Phil behaves in a train toilet* then hasten yourself along to see the The Curious Incident of the Dog in the Night-Time.
This is not intended to put you off booking a ticket for Simon Stephens‘ adaptation of Mark Haddon‘s novel about Christopher (Luke Treadaway) a 15-year-old mathematics wiz occupying a position somewhere on the autism/aspergers spectrum.
Christopher discovers his neighbour’s dog dead (Ken Dodd’s dog died. Did he? No, Doddy), impaled by a garden fork. Initially under suspicion himself, his enthusiasm for Sherlock Holmes inspires him to embark on his own investigation but he uncovers more than he bargains for.
Andrew had read the book and liked it very much. Phil had heard of it. But it really shouldn’t have worked for the Whingers. TCIOTDITNT is presented with the unfortunate double handicap of: 1. in-the-round staging and 2. at the Cottesloe, eek. Yet, and it sticks in our throats to say, it’s seems the ideal location and the one occasion where a perch in one of the theatre’s upper levels affords a terrific overview of the frequently stunning visuals. The graph-paper stage by the prolific Bunny Christie (need we say more?), lighting by Paule Constable and video design by Finn Ross all but threaten to steal the show. Read the rest of this entry »
A West End Whinger 