Review – Into the Woods, the film

Who ever thought they’d see a film where Annette Crosbie is eaten alive by Johnny Depp?

Then again who ever thought we’d write about a film? Yes, a bit out of our comfort zone this, reviewing a trip to the flicks. Though the comfort of most picture houses is far greater than almost any theatre seat.

But since this cinematic entertainment is based on the Stephen Sondheim stage musical that Phil has seen about half a dozen times in various forms, including the original Broadway and London productions he just wanted to show off. He saw a preview of Into the Woods a week ago and frustratingly has been sitting on a most uncomfortable embargo ever since.

Review – People, National Theatre

These days new plays by Alan Bennett are cloaked in the kind of secrecy you might expect from a new Mike Leigh play or the latest Bond film.

But we’re not good at keeping secrets so if you don’t want to know anything about People we’ll just tell you that the running time is 2 hours 20 minutes we returned after the interval (it’s the new Bennett, why wouldn’t we?) and you can leave it at that.

Review – The Habit of Art by Alan Bennett, National Theatre

Poetry not really being his thing, Phil had never, to his knowledge, read any W H Auden. Until last night, that is, when he read one of the celebrated poet’s works in the programme for Alan Bennett‘s new play the The Habit of Art. He’s none the wiser about the poem, poetry or Auden.

Andrew, on the other hand, is far more literary having delivered a triumphant yet moving rendition of Colonel Fazackerley Butterworth-Toast as a precocious eight year old to a presumably stunned audience at the Cheltenham Festival of Performing Arts.

Phil’s closest brush with poetry was at the National Gallery’s Sitwell exhibition when he was nearly mown down by Sir Stephen Spender’s wheelchair shortly after which in the gallery’s shop he got the chance to marvel at Lady Spender’s splendid ignorance of the logistics involved in writing a cheque. He did however, once appear in a school production of Benjamin Britten‘s Noye’s Fludde. Playing a wave. And he can still even sing Kyrie Eleison. And if you ask him very nicely he won’t.

All of which preamble brings the Whingers to their Monday night evening out at a preview of the most eagerly anticipated theatrical event of the year: the new Alan Bennett at the National Theatre.