Review – Strange Interlude, National Theatre

What are the chances?

You wait an eternity for an infidelity tragi-comedy in which the audience are party to the characters’ innermost thoughts and then you are afforded two in a row.

Just days after visiting Passion Play, where actors play the two main characters’ alter egos, comes Eugene O’Neill‘s 1928 Pulitzer Prize-winner Strange Interlude in which every character makes asides to the audience revealing what they’re really thinking. It’s the Shakespearean device by way of TV’s Peep Show.

Andrew had chickened out of this one on the grounds of life being too short but Phil gamely picked up the cudgel or something and as he occasionally has thoughts in his heads too, has been inspired to go with the zeitgeist and opening up the peculiar workings of his own psyche.