Review – Much Ado About Nothing, Old Vic

Gosh, how unwhingerish. Two Shakespeares in one week and on consecutive days no less.

A rare group outing and appropriately there was much ado about Much Ado About Nothing too. People were dropping out like all over the place. There were more withdrawals than a Roman orgy. 50% of the group fell by the wayside to be replaced by members on the waiting list. One person dropped out, dropped back in, then irritatingly dropped out again. Andrew never dropped in in the first place. Do we know a lot of people who possess the gift of foresight ?

Review – Driving Miss Daisy, Wyndham’s Theatre

You could wait at the bus stop of theatrical expectations for years for something like this to come along: a play more familiar through the medium of cinema set in the deep south of the United States featuring Brit actors doing slightly dodgy accents – and preferably featuring hard-boiled eggs consumed live on stage.

And what happens? You get two. In a week. What are the chances?

Review – Cat on a Hot Tin Roof, Novello Theatre

Those who know the Whingers will be aware that Phil is very conventional, abhors change and is rather partial to tradition. Even the more easy-going, liberal and forward-looking Andrew has habits, some of which are rather disagreeable.

So trying something new and indulging in a little experimentation is for them somewhat outré.

The Whingers attended the final preview of Tennessee Williams‘ Cat on a Hot Tin Roof at the Novello Theatre last night and the novelty was not that it was an all-black cast, but that they had already seen it a week earlier at the dress rehearsal.

And the test was not whether they could keep their mouths shut (which apart from a teensy Twitter they surprised themselves and did) but whether this would prove once and for all that reviewing early previews (for which they are oft criticised ) is unfair. Does a lot happen between early previews and opening night? Were they putting themselves on the line and undermining their modus operandi?