Theatrical Catch Up: From On the Town to The Mentor

It’s been a while.

Phil’s been busy having a bit of work done. At home. Not on his face. Yet.

Review – When We Are Married, Garrick Theatre

You know you’re in good hands when the curtain rises and the set gets a round of applause.*

Simon Higlett‘s well-dressed Victorian sitting room drew gasps of admiration from the crowd, possibly because it brought back distant memories although presumably not from the Eastern Europeans or possibly Russians behind the Whingers with sweets wrapped in old Eastern Bloc cellophane which had been designed to be LOUDER when crinkled than the sad cellophane of the decadent West . WE WILL BURY YOU IN OUR CELLOPHANE.

But we digress. Having grappled with the Glaswegian accents in Men Should Weep last week it was comforting for the Whingers to head in a southerly direction and have their ears caressed by Yorkshire tongues. Phil’s mother was born in York (Nunnery Lane, since you asked) and he was oop there only a few weeks ago so it almost felt like home to him, only without old underpants strewn everywhere.

Review: A Little Night Music, Menier Chocolate Factory

This was the show the Whingers had been waiting for.

Not because the Whingers love Sondheim (they do). Not because they wanted to see if Trevor Nunn could atone for the terrible sins he committed with Gone With the Wind – The Musical! (he has). Or to see if, at 34, Hannah Waddingham would convince as the youngest ever Desirée Armfeldt (she did).

No, rising like a shining beacon of common sense and democracy above all of this was the news that A Little Night Music was to be the first production at the Menier Chocolate Factory where they dropped their absurd and unpopular unreserved seating policy*. Yeah! Good old Menier, the Whingers hoops had never been so cocked (or should that be the other way round?).