As Phil arrived at the National Theatre for the preview of London Assurance on Monday night Andrew appeared to be intoning a new mantra. “Boo-see-co, boo-see-co, boo-see-co,” he muttered smugly, trying each permutation on for size to see which would sound most impressive.
It transpired that Andrew had for once been swatting up: delving into the programme notes to gen up on Irish actor, playwright, adaptor, stage director, manager, producer and innovator Dion Boucicault and – in particularly – learning how that intimidating looking surname should be pronounced. Suddenly Phil was at it too, pursing his lips contorting his facial muscles and rolling it round his tongue. All that was missing was a mouth full of marbles. Anyone passing would have rightly supposed the Whingers had lost theirs.
If they got nothing else out of the evening at least these wannabe Liza Doolittles might, at last, be able to impress someone at a party (if Sonia Friedman ever invites them to aonther) with their ability to pronounce Boucicault.
They need not have worried about reclaiming something from the evening. It gives us great pleasure to announce that the National Theatre has climbed out of the very deep pit it dug for itself with all the Really Old, Like Forty Fives, the Nations and (dare we bring it up again) the Frams and is back on form, doing what it does best. And how. Read the rest of this entry »