To be fair, Small Change at the Donmar Warehouse was never going to be the Whingers’ cup of cabernet.
We are easily enough confused as it is and Andrew’s memory plays enough tricks on him as it is without the added complication of plays getting in on the game.
It also didn’t help that – thanks to the swathes of poetic, descriptive monologues – Andrew spent most of Act 1 vacillating between oblivion and semi-wakefulness (but mostly the former). During his dozing, he had very strange dreams which on waking he believed momentarily to have been part of the play. In a strange way, writer/director Peter Gill might rather have approved. Read the rest of this entry »