Review – Cate Blanchett in When We Have Sufficiently Tortured Each Other, Dorfman Theatre

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Oh my word. You’d think by now we would know better.

Review – The Master Builder, Almeida

Call the Guinness Book of Records! Call Norris McWhirter! Call Roy Castle! Loudly!

Sometimes you wonder about a title of a play and think, how did they come up with that? Sometimes you find yourself waiting for the title  to appear. But there is no waiting or wondering here. Not in Ibsen‘s The Master Builder at the Almeida.

It must surely hold the record for the number of times the title of the play is name checked in the piece itself. It boasts its own redundant form of product placement.