There’s a wonderful moment – a maritime take on Hitchcock’s Rear Window – in Treasure Island where a cross section of the Hispaniola rises up through the stage revealing various rooms and cabins of the ship. It’s a wonder the audience didn’t applaud.
Money has been splurged on this year’s Christmas show at the National. Lizzie Clachan’s deliciously complicated designs require full use of the Olivier’s drum revolve and there’s an clever take on Long John Silver’s leg, plus an impressive animatronic parrot. But that’s pretty much all the good news from Phil. Read the rest of this entry »